DAD Heritage Exhibition
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The DAD Heritage exhibition aims to make a distinctive contribution to collecting, conserving, interpreting and narrating the history and heritage that informs the work of Black dancers in contemporary Britain. It is made up of two components a photographic exhibition and a book called Voicing Black Dance: 1930’s to 1990’s – The British Experience.
In October 2006, the Association of Dance of the African Diaspora (ADAD, now part of One Dance UK) collaborated with The Theatre Museum (now resides with the V&A Museum’s main site) to present a ground-breaking photographic exhibition representing the presence of Black dance in Britain over seven decades under consideration. A small sample of key artists and companies was featured as the whole panorama would be impossible to cover in the limited spaces made available. The exhibition serves as snapshots of the evolving success of Black dance in Britain, which we hope will inspire many more attempts to cover a more in-depth and focused exploration. We present Moments… with the intention to strategically include as wide a range of performers and companies as possible and thereby highlight critically-important contributors to the development of Black dance in its varying dimensions spanning 70 years of success.
Moments… features memorable dance companies that have contributed to Black British Dance history such as Steel and Skin, MAAS Movers, Adzido, Kokuma, IRIE! Dance Theatre, Carl Campbell Dance Company 7, Phoenix Dance Theatre in the 1980s, Union Dance Company, Jiving Lindy Hoppers, Delado Dance , JazzXchange, Bullies Ballerinas, Badejo Arts, and RJC. Other talented artists featured include: Namron OBE Esq., Cathy Lewis, Sheron Wray, Carol Straker, Kenneth Tharpe OBE and many others who danced with mainstream companies such as Rambert Dance Company, London Contemporary Dance Theatre and English National Ballet.
Photographs were sourced from leading photographers such as Roger Wood, Baron, Dee Conway, Chris Nash, Atinuke Olumekun and Anthony Crickmay; as well as from the archives of the Theatre Museum, (Trinity) Laban, The National Resource Centre for Dance and the New York Public Library. Additionally, photographs from private collections were exhibited for the first time.